“You might have seen one of our objects, even if you have never visited us - our loans are all over the country” - @HornimanMuseum on twitter
The Horniman Museum has tracked all their object loans on a google map to show how their collections travel. Click to visit the map and see which objects are in which museums.
Oscar winner Maximilian Schell features in a new campaign to publicise the reopening of the Kunstkammer
One whole wing of Vienna’s Art History Museum (KHM) has been closed for ‘renovation’ since before I first came (which was seven years ago). The Kunstkammer closure has attracted much press and political to-ing and fro-ing about where the money should come from and how much it was costing. After some high-profile campaigns (see for example this post from August) to raise sponsorship and publicity, the date for reopening has been set for 1st March 2013.
As well as household name Maximilian Schell starring in this video, Swarovski - another Austrian institution - has dedicated their window display to the Kunstkammer.

(…) If you care to brush up on topics like the first piece of spam ever sent, that gifs haven’t changed much over the past 26 years, old social media sites (remember Friendster, kids?), the story of emoticons and newer viral trends (Keyboard Cat, PBJT, Rickrolling), then please visit The Big Internet Museum (…)
“AN AUSTRIAN museum says a man took the concept of life imitating art to an extreme when he suddenly stripped at an exhibition of pictures and sculptures portraying nude men through the ages. Vienna’s Leopold Museum says that after taking his clothes off, the man calmly sauntered through the exhibition, dressing again only after a security guard asked him to do so. Museum spokesman Klaus Pokorny said that the museum had nothing to do with Saturday’s strip, describing it as a “spontaneous act”. He says other visitors did not appear disturbed. He said that since its October 19 opening, the Nude Men exhibition had attracted more than 65,000 visitors – all of them dressed except for one.”
YESSSSSS. Let’s start a movement!
My favorite part is how the other visitors weren’t disturbed because they’re not prude Americans.
Happy 4th night of Hanukkah! Have you tried our Light My Fire app yet?
I love the idea of The Jewish Museum’s Hannukah lamp app, you choose a lamp from their collection and get to both light it and learn information about it.
Happy Hanukkah world!
If you open these canvas covers to reveal the artwork inside (supposing there’s any), the artist, Annie Cabigting, would automatically disown the work. 25-70k (at Silverlens Gallery)
For collectors who… like to torture themselves? Who do not give a shit? Who like the idea better than the actual art anyway? What is better, to own the art, or to experience it?
British art museums must avoid the mistake the palatial Paris gallery is making in sending its treasures to the provinces
[…]
Big museums that are global destinations are not elitist. They are exciting, rich and truly educational. They have a glamour that stops them feeling like school, a scale that lifts the spirits. Diffusing this rare magic is illogical. The Louvre-Lens looks like a clumsy idea to me, self-hating move by an institution that should be proud of its palatial magnificence
I disagree.
Nina Simon of the Santa Cruz Museum of Art & History describes eloquently how she thinks museums can contribute to the communities in which they are embedded by encouraging participation from visitors and using objects as vehicles to facilitate conversation, exchange and the breaking down of barriers.
For more information and background, Nina’s book “The Participatory Museum” i available to read free online. A great feature of reading the book online, is that each section is presented alongside comments and discussion by readers too, including Nina’s responses to comments. She walks the walk.
Museums in the UK (and no doubt the world) are already deep in preparations for the upcoming centenary commemorations of the outbreak of World War One. The Museums Journal asked a range of professionals whether the events ran the risk of glorifying war?
“What do kids know about art? Only everything. Welcome to MoMA Unadulterated, an unofficial audio tour created by kids. Each piece of art is analyzed by experts aged 3-10, as they share their unique, unfiltered perspective on such things as composition, the art’s deeper meaning, and why some stuff’s so weird looking. This is Modern Art without the pretentiousness, the pomposity, or any other big “p” words.”
Download or stream the commentaries here.
thegradschoollife:(via UNADULTERATED)
This is hilarious. I want young children telling me about every museum I go to.
It’s not an official MoMA audio tour, but I wonder if this is something it or other art museums might actually consider creating. I love the irreverence and fun it has with modern art, but irreverent fun is something that museums tend to be very cautious about.
Is this something that might start to open up intimidating museums to non-traditional visitors. Thoughts?
Britain was once dotted with the iconic red telephone box. Every tourist had to pose for a photograph next to this instantly recognisable British thing. Due to privatisation and the rise of the mobile phone, the boxes are a dying breed, most are abandoned or sold off. A few years ago the British government began letting towns adopt them, for one pound each. Some have been turned into churches, information centres, pieces of art, a library, and even a one-night only pub called the Dog and Bone. And now there is one that is the smallest museum in Wales. With a £1,000 in winnings from the BT Adopt-A-Kiosk scheme, the local authorities of Cilgerran in Pembrokeshire converted its red phone box into a museum celebrating the photography of Tom Mathias, a self-taught photographer, who documented daily life in rural West Wales. Tom’s glass negatives were dumped in an outhouse for nearly thirty years after his death in 1940, before being discovered and painstakingly saved and restored. The collection of conserved glass plates is housed at the Scolton Manor Museum in nearby Spittal, but now some of his prints are displayed in the phone box, about 50 metres from the old house where Mr Mathias once lived. With a new lease on life, this unique museum helps to preserve the traditions and culture of the country. As we all play with our smart phones…
The esteemed Harvard professor Howard Gardner and his digital native son Andrew Gardner will discuss “Learning Environments in the 21st century” tonight (November 7) at 6:30pm eastern time at MoMA. We would be very much grateful for your twitter participation @MoMAlearning (ask a question! make a comment!) and you can follow this link below to learn more about the event as well as to see the event live streamed
Knowing ourselves enables us to teach others
After over 20 years of teaching, I believe that the best way to increase my capacity to help others is to learn more about myself. To ensure successful learning, I include these four actions in weekly lesson plans, because knowing ourselves enables us to help others.
- Look for and document changes in your own learning
- Plan to learn while you teach
- Reflect on moments of success
- Make your perceptions of students visible to yourself
photo via flickr:CC | dkuropatwa
Jack McConville performs Kafka’a Metamorphosis in IKEA Manchester
We all know that it is incredibly hard to get a job in the museums/culture field. But sometimes something happens that makes you just truly despair.
Friday 26th October was a national holiday in Vienna and as with any long weekend like this, the city ups and leaves. A cultural institution had advertised a job on at least two of the cultural job mailing lists that I subscribe to with a closing date of the 26th. The job was a more organisational than content-creation, the language of the job was English and I felt that my qualifications matched the essential and desired criteria very closely. I sent my application in a couple of days before the deadline and prepared to wait a couple of weeks to hear back. I have been at this long enough now - and I am certainly jaded enough - to not get my hopes up too high. There have been dozems of jobs before this one that I felt I was qualified and experienced enough for that I didn’t get invited to an interview for. I appreciate that demand for these jobs are high and that is reflected by the volume of applications. What I didn’t expect was an email 80 minutes after the start of business on Monday telling me that my CV was interesting, but the job had been filled.
Presumably, over a national holiday weekend this company was able to short-list, interview and fill the position after having considered the applications of potentially a LOT of people (a similar position last year saw over 70 applicants. That institution also took the time to send an obviously personalised email explaining why I hadn’t progressed further in the recruitment process - overqualified, you can’t win!) Perhaps they are just being more honest? Perhaps this is the case for lots of other jobs that I have applied for and they just keep you waiting a couple of weeks to give the impression of transparency in the process?
Has anyone else had experience of this?